THIS IS A PACKAGE OF 5 CDS FROM THE OSC COLLECTION:
Ghost Against Ghost - still love LP
Ghost Against Ghost - Checkpoint Charlie
Christopher Bono - Bardo
Christopher Bono - Invocations
Christopher Bono - Ten Senators and the Rebel Son
Ghost Against Ghost - still love
An epic concept album that explores meanings of love, attachment, addiction, and abuse. Listen deeply and you can hear remnants of 70s classic and progressive rock, shoegaze, ambient, and post-rock. Ghost Against Ghost has created an extraordinary album that truly exists within a genre of its own.
PRESS QUOTES"Cathartic soul-bearing space prog masterwork." -- Prog Magazine
"Still Love is a mighty work of art that juxtaposes pop-sensitivity with an intense listening experience." - Arctic Drones
“...Ghost Againt Ghost constructs a darkly spiritual aura in this post-rock inspired composition." -Stereogum
"Ghost Against Ghost's New Song "Resume" Is A Slow-Moving, Cinematic Destroyer" -Metal Injection
This 65 minute LP weaves themes of love, heartbreak, and betrayal into monolithic synth-driven space-rock, with inspiration as diverse as Nine Inch Nails, Sigur Ros, Vangelis and Pink Floyd. Writer and producer Christopher Bono utilizes his classical background to sculpt this expansive and engaging series of compositions, contrasting heavy walls of sound with ambient passages, contemporary classical and experimental electronic influences. Bono collaborated with Thomas Pridgen, whose drumming credits include the likes of The Mars Volta, Trash Talk, Suicidal Tendencies and Memorials. The album's enveloping sound also contains special contributions by ambient guitarist Anthony Molina, the multi-instrumentalist famous for playing with Mercury Rev, and otherworldly choral sections featuring vocalists Jamie Rae, Stacie Bono and Michele Kennedy.
More Info here: https://www.ghostagainstghost.com/still-love
Ghost Against Ghost - Checkpoint Charlie
Checkpoint Charlie is a dramatic, dreamy experiment in lush, dark, romantic harmonies and grating, headsplitting noise. Composed and produced by Ghost Against Ghost frontman Christopher Bono, the epic work features the Czech FILMharmonic string orchestra alongside Bono's ethereal and strange vocals, and moments of thunderous drumming by Thomas Pridgen (Mars Volta, Trash Talk, Suicidal Tendencies).
More info at: https://www.oursilentcanvas.org/gag-checkpoint-charlie
Christopher Bono - Bardo
Composer Christopher Bono’s major ambient-orchestral album BARDO released on the Our Silent Canvas label on July 15, 2014. The 60-minute, full-album work is a surreal musical drama narrating the journey of “The Fool” (a character derived from the ancient Tarot system), which illustrates the character’s cycle from despair and darkness, through the afterlife, transcendence, and finally rebirth.
BARDO (which is the Tibetan word for “transitional state” or “portal”) was produced by Christopher Bono; the orchestral sessions were co-produced with Grammy Award-winner Adam Abeshouse. The album was mixed by Bono in collaboration with Grammy Award-winning engineer Silas Brown and mastered by Scott Hull at Masterdisk. The phenomenal young conductor Teddy Abrams (currently assistant conductor to Leonard Slatkin with the Detroit Symphony Orchestra) led an orchestra comprising members of the Czech Philharmonic Orchestra and the Prague Philharmonic at legendary Dvorák Hall. Additional ambient instruments and guitars were recorded at The Great Togetherness Hall at Zen Master Thich Nhat Hanh’s Blue Cliff Monestary, with percussion and vocals recorded at Bono’s Apollo 37 studio, both in upstate New York.
BARDO was originally a site-specific work commissioned by Sympho Concerts and was premiered to a capacity crowd at the iconic Ann Hamilton Tower in Geyserville, CA in June 2012. Performers and audience members were immersed in the sonic experience by being positioned along the length of the entire structure on double-helix interior staircases. This vertical plane was taken into consideration for the compositional process and was later translated onto a horizontal level for the larger orchestral recording. The work has a vivid and exciting future as a modern dance multimedia production currently being scheduled in Florida and New York.
The narrative of BARDO was inspired by four fields of reference: The Tarot System, The Tibetan Book Of The Dead, sound healing/esoteric sound theories, and sacred geometry. The first movement, “Bardo I: Enter the Mystic,” marks the genesis of the psycho-spiritual journey of the Tarot System’s Fool. It begins from a place of isolated desperation, and this initial darkness culminates in “Bardo II: The End of the Oligarchs” with the destruction of the archetypal Tower, representing the social and psychological constructs of man.
The second half of the album chronicles the “in-between” experience as described in the ancient Tibetan Book of the Dead. In “Bardo III: Enter The Void” the music guides the Fool through a series of difficult psychological experiences leading to a liberated state, where a wondrous, spinning tunnel of visual and sonic phenomenon inspires ascension. From a place of infinite possibility, “Bardo IV: Clouds Blooming at the Thought of Union” moves the Fool through what the Tibetans call the Sidpa Bardo, or the Bardo of transmigration. In this final Bardo, the Fool arrives at the door to his next embodied life, where he fulfills the karmic destiny created by the loving embrace of his future parents. Each movement is preluded by ambient portals that act as passageways to the varying environments of each movement.
Christopher Bono’s introspective album Invocations was released in fall 2012. It was his first public release in seven years and his first-ever classical album. The focus of the album is Invocations, an emotional three-movement work that builds from string trio to chamber ensemble (string quartet, bass, harp, winds, percussion, and sampling). The album also includes The Missing for string quartet, written in 2010 for the European American Musical Alliance and premiered in Paris that year. The album’s originality and inventiveness was noted by composer and writer Frank Oteri in NewMusicBox, who wrote, “While much of 21st-century contemporary composition is not beholden to any rules, to the extent that I could probably claim everyone to be an ‘outsider’ in some ways, Bono’s music sounds as though everything he writes is something he is discovering for the very first time, even if there are clear reference points throughout to the sound worlds of other composers from both our own time and other eras.”
“As you listen you will hear compositional clarity--something often missing in contemporary music, and well-honed chord schematics that are as expressive as they are thoughtful.” - Bill Peters, Bill Peters Music News & Reviews
“...mellow and approachable, with vivid sonorities that linger in the memory.” - Blair Sanderson, AllMusic
“...Bono concocts a broad, enticing, and unfamiliar musical landscape.” - Micaele Sparacino, ConcertoNet.com
“...very meditative, almost religious.” - Daniel Coombs, Audiophile Audition
“‘Fish, Father, Phoenix’ employs taped fragments... and nature recordings over an ensemble of winds, strings, and percussion, mixed in a montage that raises questions about the meaning of life.” - Blair Sanderson, AllMusic
“The music has a carefully balanced form and explores the sensations of loss, confusion and clarity, the ability to endure, reflect and face the future. There is a feeling listening to it that is like that of listening to Shostakovich: something profoundly powerful and emotional that must be said, with no words adequate enough to say it. Instead there is music." - Examiner.com
More information here: https://www.oursilentcanvas.org/invocationsalbum